Rose Jensen-Holm lives and works in Brisbane, Australia. Her work is a juxtaposition of primitive forms shaped through a modernist vision. As a result, her ceramic practice interposes itself somewhere between the two styles.  Varying techniques are used in Rose's work depending on the desired result, hand building for an organic aesthetic, or the precise shaping of the potter's wheel. The result is expressive art with an intrinsic functionality.


A marriage of stoneware and porcelain allows Rose to play with shape and form to create new identities embedded within the clay. This amalgam of materials imparts fascinating results when combined with creative glazing. In this sense, form and surface decoration play equal roles in the realisation of Rose's vision. Both stand united, one never taking precedence over the other.



Rose is currently working on her first solo exhibition






Paper Boat Press


Opening Night Friday March 29th 2019


60 Ashgrove Crescent, Ashgrove, Brisbane, QLD, Australia

























[impressĭo], impressionis


Latin - noun: a mark produced by pressure, a telling image impressed on the senses or the mind.



Growing up in the picturesque setting of the Sunshine Coast in Queensland, my earliest recollections consist of long days spent at pristine white sandy beaches. These beautiful memories of scenic landscapes have left a lasting impression on how I live my life and approach my work. In a sense, it is as if they are permanently stamped upon my subconscious. I thought that nothing could rival the inspiration of the ocean meeting the sand on a peaceful beach far away from the noise of the city. However, Over the last decade my travels have taken me to Italy, a place whose ancient landscape and diverse natural beauty have become a new and complementary source of inspiration. As I ventured further into lesser-known Italian terrain I became aware of the underlying similarities between a country, whose bounty was the source of my inspiration, and my home in Australia. The vast stretches of untouched coastline, diverse Mediterranean landscape, and the laid-back Italian lifestyle began to stimulate a new appreciation for my homeland.


I now live and work from my home studio on the top of a small hill in Brisbane. Working primarily with stoneware and porcelain, I often mix multiple clay bodies together to create a blank canvas. This amalgamation of textures enables me to experiment with my signature carving technique and my carefully layered glazes. When fashioning my work, I allow the movement of the form to dictate the final colour, texture, and overall surface treatment. In doing so, I let the clay acquire its own voice by reflexively responding to its natural form. This symbiotic relationship between my hands and the clay permits me to imitate the intrinsic qualities of the natural environment without exerting too much control over the medium.


My collection for impressĭo captures, reflects, and sculpts the stories from a life of experiences with landscapes both near and far. I hope you enjoy this exhibition as much as I have delighted in shaping my memories into organic forms that represent a conversation between my past childhood landscapes and my new obsession with a faraway land. These remembrances are now ‘pressed into the clay’ and I have brought together an assortment of art pieces, beautiful serving platters, and functional pieces that represents experiences and natural environments that are ‘pressed into my being’.